The German philosopher Friedrich Nietzsche (1844-1900) foresaw a European collapse into nihilism. In works of powerful and beautiful prose and poetry he struggled to head off the catastrophe.
Friedrich Nietzsche was born on Oct. 15, 1844, in Röcken, a village in Saxony where his father served as a Lutheran pastor. The father's death, when the child was 4 years old, was a shattering blow to which Nietzsche often referred in his later writings. This death left Nietzsche in a household of women: his mother, grandmother, several aunts, and a sister, Elizabeth.
After attending local schools in Naumburg, in 1858 Nietzsche won a scholarship to Pforta, one of the best boarding schools in Germany. Here he received a thorough training in the classics and acquired several lifetime friends. At the end of this period of schooling, Nietzsche, who had earlier fully shared the genuine piety of his family, found that he had ceased to accept Christianity—a view that soon hardened into outright atheism. With the highest recommendations of his Pforta teachers, Nietzsche enrolled in the University of Bonn in 1864.
There he pursued classical studies with Friedrich Ritschl, and when the latter, within the year, moved to Leipzig, Nietzsche followed him. Nietzsche attempted to enter into the social life of the students, even joining a dueling fraternity, but he soon discovered that his sense of his own mission in life had isolated him from the pursuits and interests most students shared. At this time, too, Nietzsche apparently contracted syphilis in a Leipzig brothel. The incurable disease gradually undermined his strong constitution. In middle life he suffered almost constantly from migraine and gastric upsets. Loneliness and physical pain were thus the constant background of his life—though Nietzsche later came to interpret them as the necessary conditions for his work.
Nietzsche's early publications in classical philology so impressed his teacher that when a chair of philology opened up at Basel, Ritschl was able to secure it for Nietzsche, then only 24 years old and still without his degree. This the University of Leipzig gave him on the strength of his writings without requiring an examination, and Nietzsche entered upon a teaching career. Important for Nietzsche's intellectual development was his discovery in these Leipzig years of the philosophy of Arthur Schopenhauer and Friedrich Lange and the music dramas of Richard Wagner.
When Nietzsche took up residence in Basel, Wagner was nearby at Tribschen, and Nietzsche was soon drawn into his circle. Wagner was then at work on the Ringcycle and on the great festival at Bayreuth that would be inaugurated for its premiere. The project needed publicity and financial support, and many German intellectuals were backing it. Nietzsche entered into the cause with enthusiasm and for several years was a frequent house-guest at Tribschen. Friendship with the charismatic but egocentric Wagner was, however, incompatible with independence of thought, the quality Nietzsche most valued. Before long he began to reassert his own ideas and plans. This led finally to a break, followed by some bitter polemics.
Prior to the break, Wagner had greatly influenced Nietzsche's first book, The Birth of Tragedy (1872), which gave an imaginative account of the forces that led to the rise of Athenian tragedy and to its subsequent decline. Nietzsche's book ends with a rousing advocacy of Wagner's music drama as a revival of Hellenic tragedy. But no sooner had it been published than Nietzsche began to perceive the difference between Wagner's musical genius and the shabby pseudophilosophy of the Wagnerian cult. From then on, though he still felt affection for Wagner's person, Nietzsche attacked ever more vigorously the "decadence" of Wagner's political and philosophical ideas. Two works of his last year of writing deal with the subject: The Wagner Case (1888) and Nietzsche contra Wagner (1888).
Nietzsche's teaching at Basel was interrupted frequently by prolonged bouts of sickness and by several months of service as a medical orderly during the Franco-Prussian War, which further aggravated his illness. In April 1879 his health had deteriorated so much that he was driven to resign. He was given a small pension, and he now began a 10-year period of wandering in search of a tolerable climate. Though racked by increasing pain from the relentless progress of his disease, Nietzsche managed to produce 10 substantial books before his final collapse. They belong to the first rank of German literature and contain a provocative set of philosophical ideas.
Nietzsche believed that European man was standing at a critical turning point. The advance of scientific enlightenment, in particular the Darwinian theory, had destroyed the old religious and metaphysical underpinnings for the idea of human dignity. "God is dead," declares Nietzsche's spokesman Zarathustra, and man, no longer "the image of God," is a chance product of a nature indifferent to purpose or value. The great danger is that man will find his existence meaningless. Unless a new grounding for values is provided, Nietzsche predicted a rapid decline into nihilism and barbarity.
Nietzsche aimed in all his work to provide a new meaning for human existence in a meaningless world. In the absence of any transcendent sanction, men must create their own values. Nietzsche's writings are either analyses and criticisms of the old system of values or attempts to formulate a new system. For European man, the Judeo-Christian tradition was the source of the old values. Nietzsche attacked it head on in such works as A Genealogy of Morals (1887) and The Antichrist (1888).
In his constructive works Nietzsche sought to find in life itself a force that would serve to set human existence apart. He found it in the hypothesis of the will to power— the urge to dominate and master. All creatures desire this, but only man has achieved sufficient power to turn the force back upon himself. Self-mastery, self-overcoming: these are the qualities that give a unique value to human life. The ideal man, the "superman," will achieve a fierce joy in mastering his own existence, ordering his passions, and giving style to his character. The sublimation of passion and of life's circumstances that the ideal man achieves in his self-overcoming will release in him a flood of creative energy. The lives of such men will be the justification of reality; their preferences will constitute the standard of value.
All morality is thus the result of self-overcoming, but Nietzsche discerned a criterion by which to distinguish the morality of the superman from the "decadent" morality of Christianity. The latter undercuts earthly life in favor of an illusory afterlife, condemns self-assertion as pride, and perverts bodily functions with guilt and fear. Its tendency is toward nihilism and the denial of life. The new morality, on the other hand, will affirm life, encourage self-assertion, and eliminate guilt consciousness. In Thus Spake Zarathustra (1883) Nietzsche formulated the ultimate test of the superman's affirmations. Confronted with the hypothesis of eternal recurrence, the notion that the world process is cyclical and eternal, the superman still affirms life. Let it be—again and again—with all its joys and sorrows.
On Jan. 3, 1889, Nietzsche collapsed on a street in Turin, Italy. When he regained consciousness, his sanity was gone. He began to send off wild letters to friends and strangers signed "Dionysus—the Crucified." He was taken to his mother's home and lived on in a twilight condition, sinking ever further from the real world until his death on Aug. 25, 1900.
Further Reading on Friedrich Nietzsche
Nietzsche's last work, Ecce Homo (trans. 1911), is an autobiographical review of his published works; although fascinating and illuminating, it shows signs of megalomania and incipient madness. The best biography of Nietzsche is R. J. Hollingdale, Nietzsche: The Man and His Philosophy (1965). Of the numerous recent critical works on Nietzsche, the best is Walter Kaufmann's provocative Nietzsche: Philosopher, Psychologist and Antichrist (1950; 3d rev. ed. 1968).